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Audiovector SR 3 Arreté Raw surface limited edition
023 / 100
Limited to 100 sequentially numbered pairs worldwide, the Audiovector SR 3 Arreté RAW Surface Limited Edition uses a brand new cabinet technology to stabilize and stiffen the cabinet in order to create the perfect foundation for our advanced Audiovector drivers.
With a waxed concrete surface and contrasting 24-carat gold-plated details, the look of the new SR 3 Arreté Raw Surface Limited Edition can be defined as exclusive and very special. Just like the technical features and beautiful sound of it.
Using the SR 6 version 2.0 Air Motion Tweeter, which has a lighter, faster membrane adds extra detail, size and soundstage.
The cabling comes from the R 11 Arreté and damping has been further improved by using materials and techniques from the SR 6 Avantgarde Arreté. A new optimised cross-over knits it all to-gether to a truly coherent, detailed and more punchy entity.
The concrete coating is hand made and gives each speaker a unique and personal expression keeping in line with the special Scandinavian design traditions. See the impressing film where skilled craftsmen create the stunning finnish with a waxed concrete surface
DESCRIPTION

ARRETÉ - A HIGLY SPECIALIZED MODEL
The Arreté models are to Audiovector what AMG is to Mercedes, RS to Audi and M to BMW: Highly specialized and tuned versions of a great product.

AN OLD GREEK SYMBOL
Arreté is an old Greek symbol, which means: Being able to perform everything to the highest standards.

SR 3 ARRETÉ RAW SURFACE LIMITED EDITION
Based on the award winning SR 3 series the perfect compact audiophile speaker we have spent many years developing. Patented in-house drivers made in Denmark by Scan-Speak, handcrafted Air Motion Transformers made with extreme precision and state of the art cabinet quality, makes these models potent performers.
“The easiest way to view these loudspeakers is to think of them as the Kobe beef edition of the SR 3 Avantgarde Arreté.”
Alan Sircom, hifi+ [uk]
“The most complete SR 3 version so far. Frees the music from its chainsand releases it to the room with unusually good transparency & dynamics”
Geir Gråbein Nordby, Lyd & Bilde [no]